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Ballet Luminary Matthew Ball on Demanding Parts and Online Attention: 'I'm Not Precious About My Body'

In the hushed ambiance of a lounge near London's prestigious dance company, Matthew Ball orders a mint tea. His posture is naturally straight-backed, his limbs muscular beneath a plain tee. During performances, dancers can seem as mighty deities, yet often offstage they are small. This is not true for Ball, whose height is part of his popularity for heroic characters and partnering. Possessing delicate features and intense eyes, there's a touch of a brooding actor about him.

A Seamless Ascent to the Top

Now 31, Ball is enjoying the peak of a career that has progressed smoothly. Raised in Liverpool, he encountered little teasing for his childhood passion in ballet. Entering the Royal Ballet School at 11, he graduated straight into the company and was advanced each year, reaching the top rank of lead dancer in 2018. He has loved taking on substantial dramatic roles, particularly the emotional turmoil found in Kenneth MacMillan's works.

"Your breath is short, your legs get heavy, but it’s really a mental fatigue."

His next starring appearance is as himself, in an "Evening With" series designed to offer behind-the-scenes perspectives into a dancer's art. He will walk the audience through a role, showing his cognitive process while performance. Even in lighter ballets, the challenge is significant. "Don Quixote is one of the most demanding technically," he notes.

The Mental Game and Post-Performance Feelings

What about after a show, when he has succeeded? "It's pretty good," he admits. "However because I'm trying to squeeze all the juice out of it, and get lost in the character, frequently I do feel embarrassed afterwards. After an intense role I'm always thinking: God, what must people think?"

Offstage, Ball is reflective, polite, and quick to laugh at himself. Yet a dance maker once remarked on a "kind of suffering in him." Does this exist? "I am very active in general, but I do have a melancholy streak," he confesses. "I somewhat enjoy pessimism sometimes. I've always felt that negativity has been an catalyst for positive change."

Early Drivers and Artistic Inspirations

Ball's tenacity stemmed from youthful setbacks. Not doing well in contests at school made him "driven!" It was fuel to prove he could achieve. Reading the book *Mao's Last Dancer* was a "pivotal" moment. "It changed everything, it made me go a bit fanatical," he remembers.

An upcoming endeavor is making his own dance works. In his view, "organic movement has value." "Breaking the conventions is interesting, but just pretending that they’re not a thing any more – I don’t know how far you can go with that." He aims his work to be loaded with meaning, drawing inspiration from books, music, and painting.

Close-Up Performance and Personal Dynamic

He also is interested in staging dance in more intimate venues. "It was just really exciting," he says of a previous show. "You’re so near to the viewers. I felt as if they were realizing: 'That’s a human, and they’re perspiring.'"

Ball has made duets with his girlfriend, fellow lead dancer Mayara Magri. The level of faith between them is clear. "We tried it out on the beach first," he says of a audacious lift. "It was like Dirty Dancing." They aren’t typically paired on stage at their home company, which is perhaps beneficial. "We’re both quite strong-willed people, so it’s not always smooth sailing," he admits. "But I feel like we’re each other’s favorite supporter."

Regarding Instagram and Physical Perception

On Instagram, fans can see videos from his projects and photos that highlight a sculpted form. Does he care that the response can be a bit objectifying? Not really. "The body is just what we work with, so I don’t feel very precious about it," he explains. He relates it to viewing Michelangelo’s David—something that can be seen on multiple ways.

Ball describes his early self as "eager for success." Did it lived up to his hopes? "I am conscious of how life is a separate reality to the aspirations you had as a young person," he reflects. He probably has about ten years of dancing ahead. "I suppose in the time to come, I want to be a bit more kind with myself."

About the author

Ashley Snyder

A tech enthusiast and freelance writer passionate about breaking down complex topics into easy-to-digest content.

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